By Marta Robertson
Aaron Copland (1900-1990) is mostly thought of the preferred and famous composer of yankee paintings song, and but little scholarly realization has been paid to Copland because the Fifties. This quantity starts off with a portrait of the composer and an assessment of vital study tendencies that is meant to fill a void and to indicate instructions for additional study. The advisor additionally offers a bit discussing Copland's interdisciplinary pursuits, akin to ballet and movie paintings, in addition to a accomplished bibliography of writings approximately Copland and his track.
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Additional info for Aaron Copland: A Guide to Research (Composer Resource Manuals)
In this article, Copland outlines the historical and musical highlights of Darius Milhaud’s First Symphony, In Memoriam, and Protée—Symphonic Suite No. 2. He muses on the general public’s “curious lack of vocal enthusiasm in regard to Milhaud’s music,” although in Copland’s opinion Milhaud was the most important French composer since Maurice Ravel. ” See: “Milhaud: First Symphony and In Memoriam (Columbia Album) and Protée—Symphonic Suite No. ” 30. ” In Gerald Reynolds: A Memorial. Compiled and edited by Amy Groesbeck and Ella Levis, p.
Martin’s Press, 1989. xii, 463 p. ISBN 0312033133. C756 A3 1989. The second volume of Copland’s autobiography/biography continues the format of the first volume, beginning with Copland’s score for the film The North Star. Perlis took a more active role in narrating this second volume, which includes seven “Interlude” sections, alternating with nine chapters based on interviews with Copland. PRIMARY SOURCES—COPLAND’S WRITINGS 45 B. Articles and Essays 1. Copland as Sole Author 8. C. d. MS. 197/1, Aaron Copland Collection.
This is a one-paragraph justification by Copland of his decision to allow Emerson, Lake & Palmer, “a gifted group,” to record their own version of Fanfare for the Common Man. As Copland points out, since he held the copyright, there was “something that attracted [him]” to their version, or else he would not have granted his permission. 13. ” Tanglewood Alumni Bulletin, 1 (Autumn 1947): 3–4. Writing from Rio de Janeiro, Copland reports on the activities of the United States Group for Latin American Music and of Eleazar de Carvalho, conductor of the Orquestra Sinfonica Brasileira.
Aaron Copland: A Guide to Research (Composer Resource Manuals) by Marta Robertson