By George Clack (Editor)
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Extra info for Art on the Edge: 17 Contemporary American Artists (2009) (For the ART in Embassies Program)
As I worked, the play between these found portraits of actors and their publicity stills went more into manner and style, and the ampliﬁcation historical moments give to them. I work evenly between painting, drawing, and moving image, and I want my work to be speciﬁcally referential, extremely personal, and ultimately generalized and moving. Among other things, the work is self-implicating — a diagram of my own preoccupations. ” Matt Saunders Udo (Egomania), 2001 Oil on linen 39 x 48 in. 9 cm) Courtesy of the artist and Lombard-Freid Fine Arts, New York, New York 61 Matt Saunders Hairdresser #2 (Udo and Elisabeth), 2003 Oil on linen 44 x 61 in.
Valerie Demianchuk Untitled (Cactus) (detail), 2001 Pencil on paper 29 x 23 in. 4 cm) overall Collection of Morley and Jane Safer; courtesy of George Adams Gallery, New York, New York 33 Valerie Demianchuk Self, 2002 Pencil on paper 40 x 30 in. 2 cm) Courtesy of the artist and George Adams Gallery, New York, New York Valerie Demianchuk Wing (detail), 2000 Pencil on paper 20-1/2 x 29 in. 7 cm) overall The Contemporary Museum, Honolulu: Purchased with funds given by the REC Fund — Roberta Ching Lee; James Napier; and funds derived from a gift from John Young, by exchange, 2002; courtesy of George Adams Gallery, New York, New York 34 Valerie Demianchuk Dance, 2002 Graphite on paper 57-1/2 x 45 in.
20 x 30 cm) Courtesy of the artist, Rome, Italy B E N J A M I N BENJAMIN EDWARDS (b. 1970, Iowa City, Iowa) attended the Rhode Island School of Design, Providence (MFA 1997); the San Francisco Art Institute’s graduate painting program (1992); and the University of California, Los Angeles (BA, 1991). His ﬁrst two solo exhibitions were at the Artemis Greenburg Van Doren Gallery, New York City (2004, 2001). #1/MoMA Center for Contemporary Art, Long Island City, New York. C. E D W A R D S of the mass-cultural landscape which unavoidably, and relentlessly, fall into my perception like droplets into an ocean.
Art on the Edge: 17 Contemporary American Artists (2009) (For the ART in Embassies Program) by George Clack (Editor)