By Bill Ivey
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Extra info for Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights
Read the constitutional phrase again: the power granted to Congress is to promote progress, not protect property. The limited term of copyright is also important, because the intent of the framers was not to institute a variation of property rights—like rights to a tract of land—that would secure ownership in artworks and inventions forever, but rather to encourage creativity. So once the term of copyright ends, work enters the “public domain” and can be used and reconﬁgured by anyone without permission—a steady ﬂow of old art into new that, presumably, promotes progress.
I’m constantly surprised by what is still around. But even what’s left can be hard to ﬁnd. ” A passionate supporter of jazz heritage preservation, Keepnews holds special affection for 78 rpm jazz discs recorded before World War II. heritage 39 “That’s a ﬁnite preservation project,” he explains.
For a company like Corbis, the going price for a particular use is determined by the character of the image itself in relation to the perceived commercial potential of a speciﬁc use: People magazine pays more than the Journal of American History, and the JFK Jr. image costs more than, say, a generic photograph of sunglasses. Similar calculations determine rates for licensing old movie clips, music for documentary ﬁlms, and sound recordings for CD compilations. ” If the JFK Jr. shot is essential to a project, or, heaven forbid, you’ve already printed the book or edited the ﬁlm before securing rights, get ready to fork over signiﬁcant money.
Arts, Inc.: How Greed and Neglect Have Destroyed Our Cultural Rights by Bill Ivey